高明柱，1952年生人，字敬之，號尋徑齋，祖籍河南鄧州，居北京。中共黨員，毛體書法家，詩人，國學大師，諾貝爾國際藝術獎獲得者。被中國文聯(lián)、文化部文化藝術人才中心聘任新時代文化藝術人才中心藝術顧問，現(xiàn)為全國書畫藝術委員會主席，國家網(wǎng)絡藝術館名譽館長，央媒文化組委會藝術顧問，北京心海文化藝術研究院、北京潤格藝術品鑒定中心首席評估鑒定顧問，人民美術藝術家委員會委員，中國楹聯(lián)學會書法藝術研究會副秘書長，【中華國粹】詩詞研究?？谝粚美硎聲敝飨?，中國民族建筑研究會書畫藝術專業(yè)委員會副主席，中國老年書畫研究會、中國書法家協(xié)會、中華詩詞學會會員，蘇富比研究所研究員。當代國藝圣手，國務院國賓禮特供藝術家，國家高級書法師，中國藝壇流派宗師，中國國賓禮形象大使，“蘭亭高明柱體”字體設計師，中國非物質文化遺產傳承人物，2021藝術傳承人物。創(chuàng)建首批中國文化名人工作室：高明柱工作室、高明柱藝術館。被授予：東方之子、當世怪才、一代方家、人民藝術家、人民藝術十大家、國學十大名家，中國當代十大德藝雙馨藝術家，榮寶齋特約書法家，中國當代十大文化學者。獲書法藝術學位，法蘭西皇家美術學院藝術學博士學位，瑞典皇家美術學院榮譽博士學位，中國文學藝術界學術獎，中國文化藝術節(jié)終身成就獎，金猴獎、金雞獎、金犬獎三連冠。出版有《高明柱書法集》《中國國賓禮形象大使·高明柱》《新中國功勛藝術家檔案·高明柱》《一代方家·高明柱名家藝術鑒賞》《高明柱藝術館成立藝術特別專刊》《一帶一路高峰論壇·中國著名書法家高明柱》《百年巨匠 藝術典藏·民族藝術名家高明柱作品精選》《中國近現(xiàn)代名家書法集》高明柱卷大紅袍等專輯。
Gao Mingzhu, born in 1952, courtesy name Jingzhi, number Xunjingzhai, ancestral home in Dengzhou, Henan, living in Beijing. Member of the Communist Party of China, Mao-style calligrapher, poet, master of Sinology, winner of the Nobel International Art Prize. Appointed by the China Federation of Literary and Art Circles and the Cultural and Art Talent Center of the Ministry of Culture as the art consultant of the New Era Cultural and Art Talent Center, currently the chairman of the National Painting and Calligraphy Art Committee, the honorary director of the National Network Art Museum, the art consultant of the Central Media Culture Organizing Committee, and the Beijing Xinhai Culture and Art Research Institute, Beijing Runge Artwork Appraisal Center Chief Evaluation and Appraisal Consultant, Member of the People's Artists Committee, Deputy Secretary-General of the Calligraphy Art Research Association of the Chinese Couplet Association, Vice-Chairman of the First Council of the [Chinese National Essence] Poetry Research Special Issue, Chinese National Architecture Research Vice Chairman of the Calligraphy and Painting Art Professional Committee of the Society, a member of the China Senior Calligraphy and Painting Research Association, the Chinese Calligraphers Association, and the Chinese Poetry Society, and a researcher at the Sotheby’s Institute. Contemporary National Art Master, State Council State Guest Ceremony Special Artist, National Senior Calligrapher, Chinese Art School Master, Chinese State Guest Ceremony Image Ambassador, Font Designer of "Lanting Gaoming Column", Chinese Intangible Cultural Heritage Inheritance Figure, 2021 Art Inheritance figure. Created the first batch of Chinese cultural celebrity studios: Gaomingzhu Studio and Gaomingzhu Art Museum. Awarded: Son of the East, Contemporary Geek, Generation Fangjia, People's Artist, Top Ten People's Artists, Top Ten Famous Chinese Studies, Top Ten Contemporary Chinese Artists of Virtue and Art, Rongbaozhai Special Calligrapher, Top Ten Chinese Contemporary Cultural Scholars . He received a degree in calligraphy art, a doctorate in art from the Royal Academy of Fine Arts in France, an honorary doctorate degree from the Royal Academy of Fine Arts in Sweden, an academic award in the Chinese literature and art circles, the Lifetime Achievement Award at the Chinese Culture and Art Festival, the Golden Monkey Award, the Golden Rooster Award, and the Golden Dog Award for three consecutive championships . Published "Gao Mingzhu Calligraphy Collection", "Chinese State Guest Ambassador · Gao Mingzhu", "New China Meritorious Artist Archives · Gao Mingzhu", "A Generation of Fangjia · Gao Mingzhu Famous Artists' Art Appreciation", "Gao Mingzhu Art Museum Establishment Art Special Issue" " The Belt and Road Summit Forum, China's Famous Calligrapher Gao Mingzhu, "Centennial Master Art Collection, National Art Famous Master Gao Mingzhu's Works Selection", "Chinese Modern and Modern Famous Calligraphy Collection" Gao Mingzhu Volume Dahongpao and other albums.
高明柱先生受祖輩的影響和熏陶，自幼酷愛書法、詩詞，先后畢業(yè)于河南書法函授院，中國書協(xié)書法培訓中心研修班，上世紀60年代初執(zhí)筆學習楷書，70年代學習隸書、篆書及毛先生的詩詞手書，80年代始學習王羲之書法及歷代名家書法，數(shù)十年如一日默默耕耘，臨池不輟。在創(chuàng)作過程中善于汲取前人的經(jīng)驗和藝術精華，主張藝術源于生活，從平凡的生活中挖掘素材，擅長觀察思考、提煉、升華，并獲取創(chuàng)作靈感，師古不泥，大膽創(chuàng)新，經(jīng)過反復錘煉，逐步形成了用筆圓潤，線條流暢，瀟灑飄逸的藝術風格，創(chuàng)作出大量為人稱道的優(yōu)秀作品。受到了范曾、歐陽中石、張海等老一輩藝術家的高度評價。范曾先生在人民大學國學開講時提到高明柱是在“用心寫字”并題“詩書皆佳”相贈。權希軍先生在高明柱大紅袍專輯的序言中寫到：“高明柱先生的書法，從運筆、用墨、布局、章法等來看，其作品布局嚴謹而不呆板，靈動而不雜亂，行草揮灑自如，古韻悠長而剛柔并濟。筆墨變化多姿，瀟灑飄逸，既有渾厚蒼勁的氣勁，又有溫柔秀雅的情韻，承傳統(tǒng)于字里行間，出新度于法度之外。真正做到了思想性，藝術性，觀賞性的統(tǒng)一，德藝雙馨，已具有名家風范且能為其他書家創(chuàng)作提升提供了可憑借鑒的有益啟示?！睔W陽中石先生也精辟的評點其高明柱的書法：“綜觀他的書法作品使人感到新而不薄，就【鴻圖國韻】來說，華而不媚，成篇作品不失法度，少字作品不失大器，柔剛相濟，雄秀并舉，血肉豐滿，結構天成。師古而不泥古，求新而不取寵。此乃眾多古人鑄于心、予以筆，集百家之長融于他自己?！辈┎杀婇L的書法家高明柱，他的行草取毛體之狂放，融二王之韻致，攝米南宮之筆意，揮灑自如，活潑靈動，古韻悠長而剛柔并濟，雅俗共賞，開一代行草風格。書法直取自然萬象入書，大氣磅礴，匠心獨具，其作品大開大合而不失肅穆儒雅，瀟灑飄逸而不失渾厚穩(wěn)重，痛快淋漓而不失規(guī)矩法度，實可謂動中寓靜，以靜致動，靜以動美，動因靜生，妙趣無窮，蒼靜有力，氣度非凡，美不勝收，有滾滾風云一瀉千里之勢，自成一體。當代評論家玉山先生則評其高明柱書法稱道：“高明柱的行草書，取毛體之豪放，融二王之遒勁，攝米南宮之率意欹險，行筆婉轉流暢，灑脫自然，筆鋒穎脫，墨線內轉外拓，大開大合，露鋒以縱其神，藏鋒以包其勢，字字之間或欹斜、映帶、揖讓、向背、偃仰、錯落奇崛，勾連首尾，上下呼應，縱橫布局，跳宕回環(huán)，一氣貫注，勢不可擋。通篇之下而又綿綿不絕，如江流繞芳甸，豪暢奔流。筆墨疾徐縱橫，如激雷跳蕩，風卷殘云，字態(tài)龍騰虎躍，驚蛇入草，飛鳥入林，而收筆又無往不復，無垂不縮。除草書外，高明柱的行書遒厚豐潤，格調清新，結字筆畫均承法度而又新穎獨到，呈現(xiàn)出清潤秀逸、儒雅樸茂、高古邵秀之美”。中國新聞網(wǎng)評其高明柱書法：“高明柱老師的書法創(chuàng)作理念具有合理性，其創(chuàng)作實踐也證明具有現(xiàn)實可行性和可借鑒意義，獲中國書法界廣泛認可。我們今天看他的作品，已經(jīng)不能以傳統(tǒng)意義上的書法來看待。他與眾不同的地方就在于他思考傳統(tǒng)、反思傳統(tǒng)，這是他對當前書法的最大貢獻。他的書法是改革開放和中華民族偉大復興時代的產物，是21世紀新時代中國特色社會主義時代之產物。它沿自傳統(tǒng)是中國書法藝術發(fā)展至今的新創(chuàng)，它表明中華國粹之書法藝術沒有衰落，依然充滿著持續(xù)旺盛的生命力?！比嗣衩佬g網(wǎng)在“感受深厚底蘊——人民藝術家高明柱書法欣賞”報道中評論高明柱書法：“高明柱先生作品，行施武功的連貫之法，大筆雄墨，如風似電，一筆而成，行筆施墨，讓人眼花不解其軌，唯在凝神聚氣之后，悟其定勢之威。先生的筆墨張馳有力，字體蒼勁飛動，字形寬廣頓挫，能夠表達出，心胸寬廣的品德修養(yǎng)。先看作品整體感覺，再看細節(jié)特征，章法改變，結體夸張，濃淡相宜，使視覺沖擊力出現(xiàn)了更多的節(jié)奏和韻律變化。高明柱先生的作品體現(xiàn)著他書法的根深底色，顯示了他書法的文人瀟灑，性情與法度結合和諧顯成臻美的精彩。先生有瀟灑卻不淺薄，顯張力遠離輕薄，有法有度，自由風流，逸如云煙，相當悅目。有粗細立體的獨特表達，字字可突盈紙面，大有空間質感！這是感性與理性相互加持的書法奇觀。這樣的書法作品，可以裝飾萬家屏障，成為先生在書壇大頌口碑的見證?！?/p>
Influenced and nurtured by his ancestors, Mr. Gao Mingzhu loved calligraphy and poetry since childhood. He graduated from the Henan Calligraphy Correspondence Institute and the Chinese Calligraphy Association Training Center. Chairman Mao's poems and poems were handwritten. In the 1980s, he began to learn Wang Xizhi's calligraphy and calligraphy by famous calligraphers of the past dynasties. In the process of creation, he is good at absorbing the experience and artistic essence of predecessors, advocating that art comes from life, excavating materials from ordinary life, good at observing, thinking, refining, sublimating, and obtaining creative inspiration. After repeated tempering, he gradually formed an artistic style with rounded pen, smooth lines, unrestrained and elegant, and created a large number of praised and excellent works. It has been highly praised by artists of the older generation such as Fan Zeng, Ouyang Zhongshi and Zhang Hai. Mr. Fan Zeng mentioned that Gao Mingzhu was "writing with heart" when he gave a lecture on Sinology at Renmin University, and he gave him the title "Poems and books are good". Mr. Quan Xijun wrote in the preface of Gao Mingzhu's Dahongpao album: "Mr. Gao Mingzhu's calligraphy, from the point of view of brush strokes, ink use, layout, composition, etc., is rigorous but not rigid, flexible but not cluttered, and cursive. Sway freely, the ancient rhyme is long and the hardness and softness are combined. The brush and ink are varied, chic and elegant, not only the vigorous and vigorous energy, but also the gentle and elegant sentiment. When it comes to the unity of ideology, artistry, and appreciation, the combination of virtue and art has become a famous style and can provide useful inspiration for other calligraphers to improve their creations." Mr. Ouyang Zhongshi also incisively commented on his calligraphy of Gao Mingzhu: "Overall, his calligraphy works make people feel new but not thin. As far as [Hongtu Guoyun] is concerned, they are gorgeous but not glamorous. The complete works do not lose the law, and the small-character works do not lose the greatness. At the same time, it is full of flesh and blood, and the structure is natural. Learn from the ancients without ignoring the ancients, and seek novelty without favoring. This is what many ancients cast in their hearts, write them, and integrate the strengths of hundreds of schools into himself.” Gao Mingzhu, a calligrapher who learned from others’ strengths, His cursive style takes the wildness of the body, blends the charm of the two kings, and captures the brushwork of the Mi Nangong. Calligraphy directly draws all the phenomena of nature into the book, which is majestic and ingenious. His works are open and close without losing solemnity and elegance, elegant and elegant without losing solemnity, and joyful without breaking the rules and regulations. Stillness causes movement, stillness makes movement beautiful, movement is caused by stillness, endless wit, calmness and strength, extraordinary bearing, and unbelievable beauty, with the tendency of rolling wind and clouds to scatter thousands of miles, and it is self-contained. A contemporary critic, Mr. Yushan, commented on Gao Mingzhu's calligraphy: "Gao Mingzhu's cursive calligraphy has the boldness of his hair, the vigor of the two kings, the spontaneity of Mi Nangong, the subtlety of his style, the smoothness of his strokes, the free and easy nature, and the sharpness of his strokes. Yingtuo, the ink line turns inward and outward, wide open and close, revealing the front to control its spirit, concealing the front to envelop its momentum, between the words or slanting, reflecting the belt, yielding, turning back, leaning on the back, staggering and rising, hooking the beginning and the end, Echoing from top to bottom, vertical and horizontal layout, jumping and looping, unstoppable, unstoppable. The whole text is continuous and continuous, like a river flowing around Fangdian, rushing freely. The brush and ink are swift and vertical, such as thunder and thunder, wind and clouds, words The state of dragons and tigers leaps, the snakes enter the grass, the birds enter the forest, and the brush strokes go back and forth, and there is no drooping or shrinking. In addition to cursive script, Gao Mingzhu's running script is thick and rich, fresh in style, and the strokes are both legal and novel. It is unique, showing the beauty of Qingrun Xiuyi, elegant simplicity, and high ancient Shaoxiu.” China News Network commented on Gao Mingzhu's calligraphy: "Mr. Gao Mingzhu's calligraphy creation concept is reasonable, and his creative practice has also proved to be realistic and feasible and can be used for reference, and has been widely recognized by the Chinese calligraphy circle. When we look at his works today, we have already It cannot be viewed in the traditional sense of calligraphy. What makes him different is that he thinks about and reflects on tradition, which is his greatest contribution to current calligraphy. His calligraphy is the product of the era of reform and opening up and the great rejuvenation of the Chinese nation. It is a product of the era of socialism with Chinese characteristics in the new era of Xi Jinping in the 21st century. It is a new creation of the development of Chinese calligraphy art following the tradition. It shows that the Chinese calligraphy art, which is the quintessence of China, has not declined, and is still full of continuous and vigorous vitality. "People's Art Network He commented on Gao Mingzhu's calligraphy in the report "Feeling the profound heritage - People's Artist Gao Mingzhu's calligraphy appreciation": "Mr. Gao Mingzhu's works are a coherent method of performing martial arts. Writing and applying ink can make people dazzled. Only after concentrating and concentrating on the energy, one realizes the power of its fixed position. The brush and ink of Mr. Zhang are vigorous and vigorous, the font is vigorous and flying, and the shape of the font is broad and staggering, which can express the character of a broad mind. Self-cultivation. First look at the overall feeling of the work, then look at the details and features. Changes in the composition, exaggerated structure, and appropriate shades make more rhythm and rhythm changes in the visual impact. Mr. Gao Mingzhu's works reflect the deep roots of his calligraphy. , which shows his literati style in calligraphy, and the harmony between temperament and law makes him beautiful and wonderful. Mr. is handsome but not superficial, showing tension away from frivolity, law and measure, free and romantic, as easy as clouds and smoke, quite pleasing to the eye. There are three-dimensional thicknesses. The unique expression of the characters can stand out from the paper surface, with a great spatial texture! This is a calligraphy spectacle that is mutually blessed by sensibility and rationality. Such calligraphy works can decorate the barriers of thousands of families and become a testimony to the reputation of Mr. "
高明柱老師系2008首屆全國十佳毛體書法家，2009年度感動中國十大藝術驕子，2011第二屆中國最具網(wǎng)絡人氣美術家十大年度人物。 2012年中央電視臺先鋒中國先鋒會客廳以“東方之子·高明柱”為題作三十分鐘的專題報道；2013年為紀念毛先生誕辰120周年，向毛誕辰120周年獻禮，120幅書法作品在中華世紀壇世界藝術館成功展出，名家對話欄目作二十分鐘的專題報道；2015年天津人民美術出版社出版發(fā)行【中國近現(xiàn)代名家書法集】高明柱卷大紅袍專輯2000冊，全國新華書店經(jīng)銷。被中國非物質文化遺產辦公室授予：“中國非物質文化遺產出版物”并授予：高明柱“中國非物質文化遺產傳承人物”；中國非物質文化遺產藝術委員會以《中國近現(xiàn)代名家書法集》命名“高明柱大紅袍名家工作室”；2017年廣東廣播電視臺古韻今談欄目以“中國著名書法家高明柱”為題作專題報道；2018年書法作品作為國禮贈送給吉爾吉斯共和國政府收藏，人民日報襲古創(chuàng)今欄目人物專訪以高明柱“繼古人之神韻、開時代之新風”為題作10分鐘的專題報道；2019年文化部藝術發(fā)展中心資質認證：“當代著名書法家”，國學文化藝術中心專業(yè)藝術委員會決定正式授予：高明柱“國學大師”。2020年新華號以中國著名書法家高明柱：“字體飛動繼古人之神韻 線條流暢開時代之新風”為題進行報道；2021年高明柱書法作品被中華人民共和國國家版權局登記，蘭亭字庫工程工作委員會研究決定，高明柱字體納入蘭亭字庫并命名為“蘭亭·高明柱體”，特聘請高明柱老師為“蘭亭高明柱體”字體設計師一職。8月17日時代周刊新聞報道：跨國文化傳播視界——2021年度中國國家藝術形象代表人物高明柱·“蘭亭高明柱體”亮相蘭亭字庫。人民日報有品質的新聞以高明柱“瀟灑飄逸的書法藝術與技法點評”進行報道；被中國文聯(lián)授予：“2021藝術傳承人物”，文旅中國以“建黨百年特刊·藝術家高明柱作品欣賞”及“弘揚中國文化傳遞中國聲音·中華藝術大家高明柱”進行報道；2022年3月被文化部文化藝術人才中心和中國文聯(lián)聘任新時代文化藝術人才中心藝術顧問，5月榮獲諾貝爾國際藝術獎，并被授予：瑞典皇家美術學院榮譽博士學位、國際藝術巔峰人物。
Mr. Gao Mingzhu was the first national top ten calligraphers in 2008, the top ten Chinese artists who moved China in 2009, and the second top ten most popular artists in China in 2011. In 2012, the CCTV Pioneer China Pioneer Meeting Room made a 30-minute special report with the title "Son of the East·Gao Mingzhu"; in 2013, in order to commemorate the 120th anniversary of Chairman Mao's birth, a gift was presented to Chairman Mao's 120th birthday, and 120 calligraphy works were in The World Art Museum of China Millennium Monument was successfully exhibited, and the famous dialogue column made a 20-minute special report; in 2015, Tianjin People's Fine Arts Publishing House published 2000 volumes of the Dahongpao album of Gaomingzhu Volume, which was published by Tianjin People's Fine Arts Publishing House. distribution. Awarded by China Intangible Cultural Heritage Office: "Chinese Intangible Cultural Heritage Publication" and awarded: Gao Mingzhu "China Intangible Cultural Heritage Inheritance Figure"; China Intangible Cultural Heritage Art Committee named after "Chinese Modern and Modern Famous Calligraphy Collection" "Gao Mingzhu Dahongpao Famous Studio"; in 2017, the Gu Yun Jintan column of Guangdong Radio and Television made a special report with the title "Gao Mingzhu, a famous Chinese calligrapher"; in 2018, the calligraphy works were presented to the Prime Minister's Office of the Kyrgyz Republic as a national gift for the collection of the people. The interview with the characters of the column of the Daily's "Following the Ancients and Creating the Present" made a 10-minute special report on Gao Mingzhu's "Following the charm of the ancients and opening up the new style of the times"; 2019 Qualification Certification of the Art Development Center of the Ministry of Culture: "Famous Contemporary Calligraphers", Chinese Culture Culture The Professional Art Committee of the Art Center decided to officially award: Gao Mingzhu "Master of Chinese Studies". In 2020, the Xinhua account will report on the title of Gao Mingzhu, a famous Chinese calligrapher: "Flying fonts follow the charm of the ancients and smooth lines and open a new style of the times"; in 2021, Gao Mingzhu's calligraphy works were registered by the National Copyright Administration of the People's Republic of China, and the Lanting font library project The working committee decided to include the Gaomingzhu font into the Lanting font library and named it "Lanting·Gaoming column", and specially hired Mr. Gao Mingzhu as the font designer of "Lanting Gaoming column". On August 17th, Time Magazine reported that the vision of transnational cultural communication - Gao Mingzhu, the representative of China's national artistic image in 2021, "Lanting Gaoming Pillar" appeared in the Lanting font library. The high-quality news of the People's Daily is reported by Gao Mingzhu's "Comment on the elegant and elegant calligraphy art and techniques"; it was awarded by the China Federation of Literary and Art Circles: "2021 Art Inheritance Figure", and Cultural Tourism China's "Centennial Special Issue of the Founding of the Party · Artist Gao Mingzhu's Work Appreciation" and "Promoting Chinese Culture and Delivering Chinese Voice, Chinese Art Master Gao Mingzhu" reported; in March 2022, he was appointed as the art consultant of the New Era Cultural and Art Talent Center by the Cultural and Art Talent Center of the Ministry of Culture and the China Federation of Literary and Art Circles, and won the Nobel International Art Award in May. And was awarded: the Royal Swedish Academy of Fine Arts Honorary Doctorate, the pinnacle of international art.
書法作品《沁園春·雪》鐫刻于中國八達嶺新長城。作品收錄《決策中國網(wǎng)·中國影響力人物數(shù)據(jù)庫》《喜迎二十大·新時代民族藝術楷?！贰吨腥A人民共和國年鑒》《中國美術年鑒》《中國美術選集》《藝術家列傳》《文化月刊》《藝術人生》《書壇巨擘》《不忘初心》《香港印象》《故宮典藏》《人民美術》《藝術傳承》《大國大家》《金牌藝術家》《國禮藝術大師》《中國當代書法史》《中國藝壇流派宗師》《中國藝術寶藏》《當代國藝圣手》《感動世界藝術巨匠》《傳世經(jīng)典·大師風范》《藝術傳承·中華名人書畫作品鑒賞》《一代方家·九大名家藝術鑒賞》《世界殿堂級藝術大師·孩子一生應該知道的二十位殿堂級藝術家》《中華傳世詩書畫全集》《中國藝圣·啟功、高明柱雙人集》《新中國詩詞大典》《新中國詩詞三百家》《新中國國學三百家》等。
Mao Zedong's calligraphy work "Qinyuan Spring·Snow" is engraved on the New Great Wall in Badaling, China. Works include "Decision China Network, Database of Chinese Influential Figures", "Welcome to the 20th National Congress of the Communist Party of China and National Art Model in the New Era", "People's Republic of China Yearbook", "Chinese Art Yearbook", "Chinese Art Collection", "Artist Biography" and "Culture Monthly" "Art Life", "Calligraphy Giants", "Don't Forget the Original Heart", "Hong Kong Impression", "Forbidden City Collection", "People's Art", "Art Inheritance", "Great Country", "Gold Medal Artist", "National Ritual Art Master", "History of Contemporary Chinese Calligraphy" "Masters of Chinese Art Schools", "Chinese Art Treasures", "Contemporary National Art Masters", "Moving the World's Art Masters", "Handed Down Classics, Master Styles", "Art Inheritance: Appreciation of Chinese Celebrities' Calligraphy and Paintings", "A Generation of Fangjia·Nine Famous Artists" Appreciation", "World Hall-level Artists: Twenty Hall-level Artists Children Should Know in Their Lifetime", "Complete Works of Chinese Poetry, Calligraphy and Painting", "Chinese Artists: Qigong and Gao Mingzhu's Double Collection", "New China Poetry Dictionary", "New China" "Three Hundred Poems", "Three Hundred Schools of Sinology in New China", etc.
